{"id":13,"date":"2017-01-24T14:18:58","date_gmt":"2017-01-24T05:18:58","guid":{"rendered":"http:\/\/north-indigo.com\/?page_id=13"},"modified":"2025-04-04T16:19:12","modified_gmt":"2025-04-04T07:19:12","slug":"about-me","status":"publish","type":"page","link":"https:\/\/north-indigo.com\/?page_id=13","title":{"rendered":"\u5c65\u6b74\u3000CV"},"content":{"rendered":"

\"\"\u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u89d2\u3000\u5bff\u5b50 \u00a0<\/strong>\u67d3\u7e54\u5bb6, \u00a0\u85cd\u767a\u9175\u306e\u7814\u7a76<\/p>\n

Hisako SUMI<\/strong> Textile artist, Research on indigo fermentation<\/p>\n

1983, \u521d\u500b\u5c55\u300c\u7cf8\u3068\u5e03\u306e\u304b\u305f\u3061\u300d\u672d\u5e4c\u3002\u4ee5\u964d\u3001\u51fd\u9928\u3001\u9577\u91ce\u3001\u6771\u4eac\u3001\u5c0f\u6a3d\u3000\u3000the first personal exhibition “The shape of thread and fibre”, Sapporo. After this, held in Hakodate, Nagano, Tokyo, Otaru,<\/p>\n

1984, \u5317\u306e\u85cd\u67d3\u7e54\u5de5\u623f\u8a2d\u7acb(\u5317\u6d77\u9053\uff09established \u201cNorth-Indigo Textile Arts Studio\u201d, Hokkaido, Japan<\/p>\n

1985\u301c \u85cd\u67d3\u7f8a\u6bdb\u624b\u7e54\u670d\u5730\u5236\u4f5c\u30fb\u5c55\u793a\u30fb\u8ca9\u58f2\uff08\u672d\u5e4c\uff09Indigo dyed wool hand-woven cloth production, exhibition \/ sale (Sapporo)<\/p>\n

1988~1990, \u30a2\u30c8\u30ea\u30a8\u30cf\u30a6\u30b9\u6ede\u5728\uff08\u9577\u6cbc\u753a\uff09\u3001\u539f\u6bdb\u306e\u85cd\u67d3~\u624b\u7d21\u30fb\u624b\u7e54\u670d\u5730\u3001\u30bf\u30d4\u30b9\u30c8\u30ea\u30fc \u5236\u4f5c\u3000\u00a0Stayed at the atelier house (Naganuma Town), produced indigo dyeing of raw wool, hand-spun and hand-woven clothing, and tapestries.<\/p>\n

1991, 1994\u30d1\u30ea\u500b\u5c55\u30011999\u3001 2000\u5e74\u30eb\u30b7\u30e8\u30f3\u500b\u5c55 personal exhibition in 1991&1994, Paris and in 1999&2000, Okhra, Roussillon, France.<\/p>\n

2006\/4-2007\/3, \u00a0\u5317\u6d77\u9053\u5927\u5b66CoSTEP\u9078\u79d1\u4fee\u4e86\u3000completed a electing course of \u00a0\u201cCommunication in Science & Technology, Education & Research Program in Hokkaido University<\/p>\n

2011-2012, \u5317\u6d77\u9053\u5927\u5b66CoSTEP\u7814\u4fee\u79d1\u4fee\u4e86 completed a training course of \u201cCommunication in Science & Technology, Education & Research Program in Hokkaido University<\/p>\n

\u5c55\u89a7\u4f1a\u3001\u30b7\u30f3\u30dd\u30b8\u30a6\u30e0\u3001\u8b1b\u6f14\u3001\u8b1b\u5ea7\u3000Exhibition, Symposium, Lecture, Course\u00a0<\/strong><\/p>\n

1995, \u51fa\u5e2d\u3001\u7b2c\uff12\u56de\u56fd\u969b\u30b7\u30f3\u30dd\u30b8\u30a6\u30e0\u300c\u30a6\u30a9\u30fc\u30c9\u3001\u30a4\u30f3\u30b8\u30b4\u3001\u5929\u7136\u67d3\u6599\u30fc\u904e\u53bb\u3001\u73fe\u5728\u3001\u672a\u6765\u300d\u30c8\u30a5\u30fc\u30eb\u30fc\u30ba\u3001\u30d5\u30e9\u30f3\u30b9\u3000attendance at 2nd<\/sup> International Symposium \u201cWoad, Indigo and other Natural Dyes:Past, Present and Future\u201d, in Toulouse, France<\/p>\n

1999, \u00a0\u53e3\u982d\u767a\u8868\u3001\u5c55\u89a7\u4f1a\u3001\u85cd\u5efa\u30ef\u30fc\u30af\u30b7\u30e7\u30c3\u30d7\u3001\u30b7\u30f3\u30dd\u30b8\u30a6\u30e0\u300c\u8272\u3068\u690d\u7269\u300d\u30eb\u30b7\u30e8\u30f3\u30fb\u30a2\u30d7\u30c8\u3001\u30d5\u30e9\u30f3\u30b9\u3000Oral presentation,”EZOTAISEI-Isatis tinctoria yezoensis, <\/em>autochthonous indigo plant in Hokkaido Japan”, personal exhibition and workshop of making indigo vat fermented \u00a0SUKUMO at Symposium \u201cla couleur, ce vegetal\u201d, in Roussillon and Apt, France<\/p>\n

2000, \u8b1b\u7fd2\u4f1a\u30fb\u30a2\u30b8\u30a2\u306e\u67d3\u8272\u300c\u3059\u304f\u3082\u85cd\u767a\u9175\u5efa\u3068\u7d05\u82b1\u67d3\u3001\u4e8c\u85cd\u300d\u3001\u4f5c\u54c1\u51fa\u5c55 Exhibition of Art works,”On verra plut\u00f4t le ciel…” , workshop, Tentures d’Asie, FUTA-AI with fermented Sukumo vat and over dye Safflower, Association OKHRA-ANCIENNE USINE MATHIEU CONSERVATOIRE DES OCRES et PIGMENTS APPLIQU\u00c9S, Roussillon, France<\/p>\n

2006, \u53e3\u982d\u767a\u8868 \u30e6\u30cd\u30b9\u30b3\uff06\u30a4\u30f3\u30c9\u5de5\u82b8\u59d4\u54e1\u4f1a\u4e3b\u50ac,\u56fd\u969b\u5929\u7136\u67d3\u6599\u30b7\u30f3\u30dd\u30b8\u30a6\u30e0 \u30cf\u30a4\u30c7\u30e9\u30d0\u30fc\u30c9\u3001\u30a4\u30f3\u30c9\u3000Oral presentation “Protecting Natural Dye-Plants and the traditional dyeing-technique in Japan: Promotion of Natural Dyes as the sustainable Natural Resources through Expert-Networks” at UNESCO & The Crafts Council of India \u201cThe International Natural Dye Symposium\u201d, in Hyderabad, India<\/p>\n

2008, \u30dd\u30b9\u30bf\u30fc\u767a\u8868\u300c\u56fd\u969b\u5929\u7136\u67d3\u6599\u30b7\u30f3\u30dd\u30b8\u30a6\u30e0\u3068\u5c55\u89a7\u4f1a\u300d\u5927\u90b1\u3001\u97d3\u56fd \u00a0 \u00a0Poster session, \u201cAKANE & AI & MURASAKI”, International Symposium & Exhibition on Natural Dyes, in Taegu, Korea<\/p>\n

2011,\u30dd\u30b9\u30bf\u30fc\u767a\u8868\u30fb\u7d2b\u6839\u67d3\u5b9f\u6f14\u300c\u56fd\u969b\u5929\u7136\u67d3\u6599\u30b7\u30f3\u30dd\u30b8\u30a6\u30e0\u3068\u5c55\u89a7\u4f1a\u300d\u30e9 \u30ed\u30b7\u30a7\u30eb\u3001\u30d5\u30e9\u30f3\u30b9\u3001Poster session “Comparison of dye produced from both of fresh and dry MURASAKI roots”, Demonstration of dyeing with MURASAKI at \u00a0\u201cInternational Symposium & Exhibition on Natural Dyes\u201d, in La Rochelle, France<\/p>\n

2012, \u53e3\u982d\u767a\u8868\u300c\u56fd\u969b\u5929\u7136\u67d3\u6599\u3068\u7e4a\u7dad\u306e\u30b7\u30f3\u30dd\u30b8\u30a6\u30e0\u3068\u5c55\u89a7\u4f1a\u300d\u30af\u30c1\u30f3\u3001\u30de\u30ec\u30fc\u30b7\u30a2\u3001Oral presentation at “International Symposium and Exhibition on Natural Dyes & World ECO-Fiber and Textile Forum”, in Kuching, Malaysia<\/p>\n

2015, \u53e3\u982d\u767a\u8868\u30fb\u51fa\u5c55\u300c\u5de5\u82b8\u3092\u8d85\u3048\u3066\u300d\u30b7\u30f3\u30dd\u30b8\u30a6\u30e0\u3001\u4e3b\u50ac\uff1a\u30ae\u30e3\u30e9\u30ea\u30fc\u30da\u30c8\u30ed\u30ca\u30b9\u3001\u30af\u30a2\u30e9\u30eb\u30f3\u30d7\u30fc\u30eb\u3001\u30de\u30ec\u30fc\u30b7\u30a2\u3001Oral presentation and exhibition at “Beyond Crafts Symposium” at Gallery PETRONAS in Kuala Lumpur, Malaysia<\/p>\n

2017, \u53e3\u982d\u767a\u8868 Oral presentation”5 Indigo Plants and Producing Dyes and Vats” at “International Festival of Plants, Ecology and Colours” in Madagascar, Africa<\/p>\n

2020, \u62db\u8acb\u8b1b\u6f14\u300c\u65e5\u672c\u306e\u542b\u85cd\u690d\u7269\u3001\u85cd\u67d3\u6599\u3001\u85cd\u767a\u9175\u5efa\u6cd5\u300d\u30d5\u30e9\u30f3\u30b9\u56fd\u7acb\u7f8e\u8853\u53f2\u7814\u7a76\u6240\u3001\u30d1\u30ea\u3000Invitation Lecture “Couleurs du vivant, \u00a0L’indigo au Japon et le Savoir-faire des Cuves \u00e0 Fermentation” at Institut national d’histoire de l’art, Paris, France, on 26, Feb, 2020.<\/p>\n

2020, \u4f5c\u54c1\u5236\u4f5c\u6620\u50cf\u3068\u4f5c\u54c1\u51fa\u5c55\u3001\u767a\u9175\u306b\u3088\u308b2\u7a2e\u985e\u306e\u85cd\u5efa\u6db2\u3068\u30bf\u30c7\u30a2\u30a4\u3092\u4f7f\u3063\u305f\u6c88\u6fb1\u85cd\u3068\u9854\u6599\u4f5c\u308a\u30ef\u30fc\u30af\u30b7\u30e7\u30c3\u30d7,\u300c2020\u5317\u65b9\u306e\u3044\u308d\u5171\u540c\u5236\u4f5c\u30ef\u30fc\u30af\u30b7\u30e7\u30c3\u30d7\u3068\u56fd\u969b\u5929\u7136\u306e\u8272\u5c55\u300din \u672d\u5e4c<\/p>\n

2020, exhibited work production videos and art works on the official YouTube page and the Glass Pyramid “HIDAMARI” in Moerenuma-park, Sapporo City at the “2020 Northern Color Joint Production Workshop and International Natural Color Exhibition”.<\/p>\n

2024(2009~), \u5929\u7136\u67d3\u6599\u8b1b\u5ea7\u3001\u5317\u6d77\u9053\u533b\u7642\u5927\u5b66\u5e02\u6c11\u8b1b\u5ea7\uff08\u67d3\u6599:\u65e5\u672c\u831c\u3001\u7d2b\u6839\u3001\u69d0\u3001\u85cd\u3001\u5927\u9ec4\u4ed6\uff09Natural Dyes Course, Public Lectures by Health Sciences University of Hokkaido (Akane, Lithospermum root, Sophora japonica flower, Indigo, Rhubarb, etc.)<\/p>\n

\u5b9f\u8df5\u30fb\u7814\u7a76\u5831\u544a\u3001\u6295\u7a3f\u3000Research Report, Contribution<\/strong><\/p>\n

\u5171\u8457, a joint work\uff1a<\/p>\n

2023,\u00a0<\/strong>\u201cEffect of Fermentation Scale on Microbiota Dynamics and Metabolic Functions for Indigo Reduction\u201d<\/p>\n

Nowshin Farjana, Hiromitsu Furukawa, Hisako Sumi, and Isao Yumoto* ,<\/p>\n

International Journal o f Molecular Sciences, Int. J. Mol. Sci. 2023, 24(19), 14696;\u00a0https:\/\/doi.org\/10.3390\/ijms241914696<\/a><\/p>\n

2023, <\/strong>“Woaded Blue: A Colorful Approach to the Dialectic between Written Historical Sources, Experimental Archaeology, Chromatographic Analyses, and Biochemical Research”<\/p>\n

Dominique Cardon <\/span>1,<\/sup>*, Zvi C. Koren <\/span>2<\/sup>, Hisako Sumi <\/span>3<\/sup><\/p>\n

Heritage<\/em> 2023<\/b>, 6<\/em>(1), 681-704 \u00a0\u00a0https:\/\/doi.org\/10.3390\/heritage6010037<\/a><\/p>\n

2022<\/strong>, “Indigofera tinctoria L. leaf powder promotes initiation of indigo reduction by inducing of rapid transition of the microbial community”<\/p>\n

Helena Lopes, Zhihao Tu, Hisako Sumi, Isao Yumoto<\/p>\n

Frontiers in Microbiology, section Extreme Microbiology (09 August 2022),<\/p>\n

2022<\/strong>, “HPLC analyses of indigoids and related compounds in selected indigo-producing plants.”<\/p>\n

Zvi Koren , Dominique Cardon , Hisako Sumi , David Santandreu , Aboubacar Fofana , Charllotte Kwon , Tim Mcloughlin , Iris Br\u00e9maud, \u00a0 \u00a0 \u27e8hal-03831317\u27e9<\/a><\/p>\n

31st International Horticultural Conference – ICH 2022 \u201cHorticulture for a world in transition\u201d, Symposium S22 \u201cNatural colorants from plants\u201d, 14-20 August 2022, Angers, France.<\/p>\n

2021,<\/strong> “Indigofera tinctoria leaf powder as a promising additive to improve indigo fermentation prepared with sukumo (composted Polygonum tinctorium leaves)”<\/p>\n

Helena de F\u00e1tima Silva Lopes1,2 \u00b7 Zhihao Tu1 \u00b7 Hisako Sumi3 \u00b7 Hiromitsu Furukawa4 \u00b7 Isao Yumoto1,2<\/p>\n

World Journal of Microbiology and Biotechnology (2021) 37:179 https:\/\/doi.org\/10.1007\/s11274-021-03142-y<\/a><\/p>\n

Received: 19 April 2021 \/ Accepted: 9 August 2021
\n\u00a9 The Author(s), under exclusive licence to Springer Nature B.V. 2021<\/p>\n

2021<\/strong>, \u201cAnalysis of bacterial flora of indigo fermentation fluids utilizing composted indigo leaves (sukumo) and indigo extracted from plants (Ryukyu-ai and Indian indigo)\u201d<\/p>\n

Helena de F\u00e1tima Silva Lopes,1,2 Zhihao Tu,1,2 Hisako Sumi,3 and Isao Yumoto1,2,*<\/p>\n

\n
\n
\n
\n

\u00a0The Society for Biotechnology, Japan. https:\/\/doi.org\/10.1016\/j.jbiosc.2021.05.004<\/a><\/p>\n

\n
\n
\n

Journal of Bioscience and Bioengineering VOL. 132 No. 3, 279e286, 2021<\/p>\n<\/div>\n<\/div>\n<\/div>\n

2018<\/strong>, Poster session, joint research “In antoine Janot\u2019s blue steps”, \u00a0Dominique CARDON*, Hisako SUMI, David Santandreu, Aboubakar Fofana, Charllotte Kwon & Tim McLAughlin, Iris Bremaud, \u00a0\u00a0“The 37th Dyes in History & Archaeology ” , UNIVERSIDADE NOVA DE LISBOA-CAPARICA, Portugal, \u27e8hal-01979450\u27e9<\/a>https:\/\/eventos.fct.unl.pt\/dha37\/files\/dha37_book_of_abstract_sitedha_0.pdf \u00a0 p37-38<\/p>\n

2016,<\/strong> \u30a4\u30f3\u30c9\u30a2\u30a4\uff08\u30de\u30e1\u79d1\uff09\u304b\u3089\u306e\u56fa\u4f53\u85cd\u67d3\u6599\u306e\u5fae\u751f\u7269
\nMicrobes in solid indigo dyes made from Indigofera sp.
\n\u25cb\u5e38\u76e4\u8c4a\uff11\u3001\u89d2\u5bff\u5b50\uff12\u3001\u4e16\u5609\u826f\u5b8f\u65973(\uff11\u30b0\u30ea\u30fc\u30f3\u30fb\u30d7\u30ed\u30c0\u30af\u30c4\u30fb\u30e9\u30dc\u3001\uff12\u5317\u306e\u85cd\u67d3\u7e54\u5de5\u623f\u3001\uff13\u6c96\u7e04\u770c\u5de5\u6280\u30bb\uff09<\/p>\n

\u25cbYutaka TOKIWA1, Hisako SUMI2, Hiroto YOKARYO3 (1Green Products Laboratory Ltd., 2North-Indigo Textile Art Studio, 3Okinawa Industrial Technology Center)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

\u4ee5\u4e0a\u30012016\u5e74\u751f\u7269\u5de5\u5b66\u4f1a<\/p>\n

2016<\/strong>, \u5929\u7136\u306e\u85cd\u67d3\u6599\u3092\u7528\u3044\u305f\u85cd\u67d3\u3081\u6db2\u306e\u5fae\u751f\u7269
\nMicrobes in indigo dyeing solution using natural indigo dyes
\n\u5e38\u76e4 \u8c4a 1\u3001\u89d2 \u5bff\u5b50 2\u3001\u30ce\u30fc\u30e0\u30db\u30eb\u30e0 \u30a2\u30bf\u30dd\u30f3 3\u3001\u4e16\u5609\u826f \u5b8f\u6597 4<\/p>\n

(1 \u30b0\u30ea\u30fc\u30f3\u30fb\u30d7\u30ed\u30c0\u30af\u30c4\u30fb\u30e9\u30dc\u30012 \u5317\u306e\u85cd\u67d3\u7e54\u5de5\u623f\u30013 \u30a2\u30b8\u30a2\u5de5\u79d1\u5927\u5b66\u9662\u30014 \u6c96\u7e04\u770c\u5de5\u696d\u6280\u8853\u30bb\u30f3\u30bf\u30fc)
\n\u25cbYutaka TOKIWA1, Hisako SUMI2, Athapol NOOMHORM3, Hiroto YOKARYO4 (1Green Products Laboratory Ltd., 2North-Indigo Textile Art Studio, 3Asian Institute Technology, 4Okinawa Industrial Technology Center)<\/p>\n

\u4ee5\u4e0a\u30012016\u5e74\u8fb2\u82b8\u5316\u5b66\u4f1a<\/p>\n

\u5358\u8457, a single work\uff1a<\/p>\n

2004<\/strong>\u5e74\u300c\u84fc\u85cd\u3092\u4f7f\u3063\u305f\u6c88\u6fb1\u85cd\u4f5c\u308a\u3068\u767a\u9175\u67d3\u3001\u305d\u3057\u3066\u3059\u304f\u3082\u4f5c\u308a\u307e\u3067\u300d<\/p>\n

2004, “Producing indigo paste with Polygonum tinctorium<\/em> and dye with\u00a0fermentation, and production of SUKUMO”<\/p>\n

2010<\/strong>\u5e74\u300c\u84fc\u85cd\u3001\u65e5\u672c\u831c\u3001\u30e0\u30e9\u30b5\u30ad\u306e\u683d\u57f9\u3068\u305d\u306e\u67d3\u8272\u300d<\/p>\n

2010, “Cultivation and dyeing of\u00a0Polygonum tinctoriaum, Rubia Akane, \u00a0<\/em>Lithospermum erythrorhizon”\u00a0<\/em><\/p>\n

2013<\/strong>\u5e74\u300c\u5805\u7262\u306a\u85cd\u67d3\u306b\u3059\u308b\u305f\u3081\u306e\u6750\u6599\u306e\u9078\u629e\u3068pH\u30fb\u6e29\u5ea6\u30fb\u990a\u5206\u306e\u8abf\u6574\uff11 \u3059\u304f\u3082\u85cd\u300d<\/p>\n

2013, “Choices of materials for increasing fastness, conditioning of pH,\u00a0temperature and nutrient elements——-1 SUKUMO”<\/p>\n

2014<\/strong>\u5e74\u300c\u5805\u7262\u306a\u85cd\u67d3\u306b\u3059\u308b\u305f\u3081\u306e\u6750\u6599\u306e\u9078\u629e\u3068pH\u30fb\u6e29\u5ea6\u30fb\u990a\u5206\u306e\u8abf\u6574\uff12 \u7409\u7403\u85cd\u300d<\/p>\n

2014, “Choices of materials for increasing fastness, conditioning of pH,\u00a0temperature and nutrient elements——-2 Ryukyu-Ai”<\/p>\n

2015<\/strong>\u5e74\u300c\u5730\u57df\u3067\u7570\u306a\u308b\u30a4\u30f3\u30c9\u85cd\u88fd\u9020\u3068\u85cd\u5efa\u306e\u6bd4\u8f03\u300d<\/p>\n

2015, “The different of production of indigo paste and making vats by\u00a0regional varieties”<\/p>\n

2016<\/strong>\u5e74\u300c\u65e5\u672c\u306e\uff15\u7a2e\u985e\u306e\u85cd\u690d\u7269\u306b\u3088\u308b\u67d3\u6599\u4f5c\u308a\u3068\u305d\u306e\u85cd\u5efa\u300d<\/p>\n

2016\u5e74\u300c\u30a6\u30a9\u30fc\u30c9\u306e\u85cd\u5efa\u3066\u3068\u30a4\u30f3\u30c9\u85cd\u3068\u306e\u5272\u5efa\u300d<\/p>\n

2016, “Producing indigo dyes and making vats with 5 kinds of indigo plants in Japan”<\/p>\n

2016, “Fermenting woad-indigo vat”<\/p>\n

2017<\/strong>\u5e74\u300c\u85cd\u767a\u9175\u5efa\u306b\u6dfb\u52a0\u3059\u308b\u990a\u5206\u30fb\u7ba1\u7406\u6e29\u5ea6\u3068pH\u306b\u3064\u3044\u3066\u300d<\/p>\n

2017, “Nutrient element which is added to fermenting indigo vat, temperature and pH for growing vats”<\/p>\n

2018<\/strong>\u5e74\u300c\uff14\u7a2e\u985e\u306e\u85cd\u767a\u9175\u5efa\u306b\u3088\u308b\u7f8a\u6bdb\u67d3\uff11\u300d<\/p>\n

2018, “Wool dyeing with 4 kinds of fermenting vats—-1”<\/p>\n

2023<\/strong>\u5e74\u300c\uff15\u7a2e\u985e\u306e\u85cd\u67d3\u6599\u767a\u9175\u5efa\u306b\u3088\u308b\u7f8a\u6bdb\u67d3 \uff12\u300d\u00a0<\/span><\/p>\n

2023, \u201cWool Dyeing with Fermented vats using five types of Indigo dyes -2\u201d<\/p>\n

\u4ee5\u4e0a\u3001\u5929\u7136\u306e\u8272\u30fc\u5929\u7136\u67d3\u6599\u9854\u6599\u4f1a\u8b70\u5831\u544a<\/span><\/p>\n

“Color from Nature”- Annual Report of Natural Dyes and Pigments Conference<\/span><\/p>\n

2021\u5e74\u300c\u5929\u7136\u67d3\u8272\u30ce\u30fc\u30c82021\u300d\u7b2c\uff11\u56de\u30a2\u30ab\u30cd\u79d1\u3001\u7b2c\uff12\u56de\u30e0\u30e9\u30b5\u30ad\u79d1\u3001\u7b2c\uff13\u56de\u9ec4\u8272\u67d3\u6599\u690d\u7269\u3001\u7b2c\uff14\u56de\u8336\u8272\u3001\u7070\u8272\u67d3\u6599\u690d\u7269\u3001\u7b2c\uff15\u56de\u767a\u9175\u67d3\u3001\u767a\u884c\uff1aNPO\u6cd5\u4eba\u30a2\u30fc\u30b9\u30cd\u30c3\u30c8\u30ef\u30fc\u30af<\/a><\/p>\n

2021<\/strong>, “Natural Dyeing Note 2021”, 1st-Rubiaceae, 2nd-Boraginaceae, 3rd-Yellow Dye-plants, 4th-Brown & Grey Dye-plants, 5th-Fermented Dyeing,Indigo & others, published by NPO Earth Network<\/p>\n

2022, \u5929\u7136\u67d3\u8272\u30ce\u30fc\u30c82021 <\/strong>Amazon\u00a0Kindle\u7248\u767a\u884c\u30018\u6708\u300c\u767a\u9175\u67d3\u300d\uff08\u65e5\u672c\u8a9e\u7248\uff09\u3001\u300c\u30e0\u30e9\u30b5\u30ad\u79d1\u7d2b\u6839\u300d\uff08\u65e5\u672c\u8a9e\u7248\uff09\u3000\u3000<\/a><\/p>\n

\u300c\u30e0\u30e9\u30b5\u30ad\u79d1\u3000\u7d2b\u6839\u300d\u82f1\u8a9e\u724822\u30da\u30fc\u30b8\uff0b\u67d3\u8272\u8a66\u6599\u96c61P \u00a0 <\/a>\u00a0 \u00a0 \u00a0\u00a0Amazon.com \u00a0Kindle \u767a\u884c<\/p>\n

2022, “Natural Dyeing Note 2021”, “Fermented Dyeing,Indigo & others”, \u00a0“Boraginaceae-Purple roots” Japanese edition published from Kindle<\/p>\n

Natural Dyeing Note “Boraginaceae-Purple root” <\/a>English edition, 22 pages and the dyed clothes samples sheet(1page), \u00a0published from Amazon, Kindle<\/p>\n

2024<\/strong>, \u89e3\u8aac\u300c\u5929\u7136\u85cd\u67d3\u7e54\u5de5\u623f\u306b\u304a\u3051\u308b\u767a\u9175\u6db2\u4e2d\u306e\u30a4\u30f3\u30b8\u30b4\u3068\u5fae\u751f\u7269, \u7e4a\u7dad\u306e\u95a2\u4fc2\u300d, \u8272\u6750\u5354\u4f1a\u8a8c \u7b2c97\u5dfb \u7b2c9\u53f7 \u8272\u6750\u3068\u754c\u9762\u5236\u5fa1\u30fc\u5c0f\u7279\u96c6 \u5929\u7136\u8272\u7d20\u30fb\u30d0\u30a4\u30aa\u7531\u6765\u8272\u7d20\u30fc, “Relationship between Indigo, Microorganisms, and Fibers in the Fermentation Liquid at a Natural Indigo Dyeing and Weaving Workshop”, https:\/\/doi.org\/10.4011\/shikizai.97.281<\/a><\/p>\n

Journal of the Japan Society of Colour Materia<\/a>l, J. Jpn. Soc. Colour Mater., 97<\/strong>[9], 281-285 (2024)<\/p>\n

\u30ef\u30fc\u30af\u30b7\u30e7\u30c3\u30d7\u3000Workshop<\/strong><\/p>\n

1986~2024, \u85cd\u5efa\u30ef\u30fc\u30af\u30b7\u30e7\u30c3\u30d7\u958b\u50ac\uff08\u56fd\u5185\u5916\u3001\u30aa\u30f3\u30e9\u30a4\u30f3\uff09held the workshop for making and growing indigo vat (home and abroad and on-line)<\/p>\n

\u52a9\u6210\u3001\u53d7\u8cde\u3000Grants and prize<\/strong><\/p>\n

1989, \u5317\u6d77\u9053\u300c\u5317\u306e\u751f\u6d3b\u6587\u5316\u632f\u8208\u4e8b\u696d\u300d\u306b\u3088\u308b\u6d77\u5916\u7814\u4fee\u88dc\u52a9(\u6b27\u5dde\uff09, received the grant from Hokkaido government for overseas training tour in Europe<\/p>\n

1998, \u5317\u6d77\u9053\u79d1\u5b66\u7523\u696d\u632f\u8208\u8ca1\u56e3\u4e00\u822c\u9053\u6c11\u7814\u7a76\u8cde\u53d7\u8cde\u300c\u767a\u9175\u4f5c\u7528\u3068\u9271\u6cc9\u5a92\u67d3\u306b\u3088\u308b\u81ea\u7136\u306b\u9084\u305b\u308b\u690d\u7269\u67d3\u306e\u7814\u7a76\u300d”Study of plant dyeing returned nature using fermentation and mordant with mineral spring”, Hokkaido Foundation for the Promotion of Scientific and\u00a0Industrial\u00a0Technology<\/p>\n

2011, \u56fd\u969b\u4ea4\u6d41\u57fa\u91d1\u3001\u4f01\u753b\u300c\u65e5\u672c\u306e\u5929\u7136\u67d3\u6599\u3068\u5bb6\u8695\u7d79\u3092\u4f7f\u3063\u305f\u7d2c\u7740\u7269\u306e\u5c55\u793a\u3068\u6280\u6cd5\u89e3\u8aac\u3068\u30c7\u30e2\u30f3\u30b9\u30c8\u30ec\u30fc\u30b7\u30e7\u30f3\u300d”Displays, commentaries on techniques and demonstration for TSUMUGI-KIMONO with Japanese natural dyes and domesticated silkworm was adopted by Japan Foundation<\/p>\n

Mail to : hisako.sumi @ gmail.com \u00a0 \uff08\u6587\u5b57\u9593\u3092\u8a70\u3081\u3066\u3054\u4f7f\u7528\u4e0b\u3055\u3044\uff09<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u89d2\u3000\u5bff\u5b50 \u00a0\u67d3\u7e54\u5bb6, \u00a0\u85cd\u767a\u9175\u306e\u7814\u7a76 Hisako SUMI Textile artist, Research on indigo fermentation 1983, \u521d\u500b\u5c55\u300c\u7cf8\u3068\u5e03\u306e\u304b\u305f\u3061\u300d\u672d\u5e4c\u3002\u4ee5 … <\/p>\n

“\u5c65\u6b74\u3000CV” \u306e<\/span>\u7d9a\u304d\u3092\u8aad\u3080<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-13","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/north-indigo.com\/index.php?rest_route=\/wp\/v2\/pages\/13","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/north-indigo.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/north-indigo.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/north-indigo.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/north-indigo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13"}],"version-history":[{"count":150,"href":"https:\/\/north-indigo.com\/index.php?rest_route=\/wp\/v2\/pages\/13\/revisions"}],"predecessor-version":[{"id":1574,"href":"https:\/\/north-indigo.com\/index.php?rest_route=\/wp\/v2\/pages\/13\/revisions\/1574"}],"wp:attachment":[{"href":"https:\/\/north-indigo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}