履歴 CV

         角 寿子  染織家,  藍発酵の研究

Hisako SUMI Textile artist, Research on indigo fermentation

1983, 初個展「糸と布のかたち」札幌。以降、函館、長野、東京、小樽  the first personal exhibition “The shape of thread and fibre”, Sapporo. After this, held in Hakodate, Nagano, Tokyo, Otaru,

1984, 北の藍染織工房設立(北海道)established “North-Indigo Textile Arts Studio”, Hokkaido, Japan

1985〜 藍染羊毛手織服地制作・展示・販売(札幌)Indigo dyed wool hand-woven cloth production, exhibition / sale (Sapporo)

1988~1990, アトリエハウス滞在(長沼町)、原毛の藍染~手紡・手織服地、タピストリー 制作  Stayed at the atelier house (Naganuma Town), produced indigo dyeing of raw wool, hand-spun and hand-woven clothing, and tapestries.

1991, 1994パリ個展、1999、 2000年ルシヨン個展 personal exhibition in 1991&1994, Paris and in 1999&2000, Okhra, Roussillon, France.

2006/4-2007/3,  北海道大学CoSTEP選科修了 completed a electing course of  “Communication in Science & Technology, Education & Research Program in Hokkaido University

2011-2012, 北海道大学CoSTEP研修科修了 completed a training course of “Communication in Science & Technology, Education & Research Program in Hokkaido University

展覧会、シンポジウム、講演、講座 Exhibition, Symposium, Lecture, Course 

1995, 出席、第2回国際シンポジウム「ウォード、インジゴ、天然染料ー過去、現在、未来」トゥールーズ、フランス attendance at 2nd International Symposium “Woad, Indigo and other Natural Dyes:Past, Present and Future”, in Toulouse, France

1999,  口頭発表、展覧会、藍建ワークショップ、シンポジウム「色と植物」ルシヨン・アプト、フランス Oral presentation,”EZOTAISEI-Isatis tinctoria yezoensis, autochthonous indigo plant in Hokkaido Japan”, personal exhibition and workshop of making indigo vat fermented  SUKUMO at Symposium “la couleur, ce vegetal”, in Roussillon and Apt, France

2000, 講習会・アジアの染色「すくも藍発酵建と紅花染、二藍」、作品出展 Exhibition of Art works,”On verra plutôt le ciel…” , workshop, Tentures d’Asie, FUTA-AI with fermented Sukumo vat and over dye Safflower, Association OKHRA-ANCIENNE USINE MATHIEU CONSERVATOIRE DES OCRES et PIGMENTS APPLIQUÉS, Roussillon, France

2006, 口頭発表 ユネスコ&インド工芸委員会主催,国際天然染料シンポジウム ハイデラバード、インド Oral presentation “Protecting Natural Dye-Plants and the traditional dyeing-technique in Japan: Promotion of Natural Dyes as the sustainable Natural Resources through Expert-Networks” at UNESCO & The Crafts Council of India “The International Natural Dye Symposium”, in Hyderabad, India

2008, ポスター発表「国際天然染料シンポジウムと展覧会」大邱、韓国    Poster session, “AKANE & AI & MURASAKI”, International Symposium & Exhibition on Natural Dyes, in Taegu, Korea

2011,ポスター発表・紫根染実演「国際天然染料シンポジウムと展覧会」ラ ロシェル、フランス、Poster session “Comparison of dye produced from both of fresh and dry MURASAKI roots”, Demonstration of dyeing with MURASAKI at  “International Symposium & Exhibition on Natural Dyes”, in La Rochelle, France

2012, 口頭発表「国際天然染料と繊維のシンポジウムと展覧会」クチン、マレーシア、Oral presentation at “International Symposium and Exhibition on Natural Dyes & World ECO-Fiber and Textile Forum”, in Kuching, Malaysia

2015, 口頭発表・出展「工芸を超えて」シンポジウム、主催:ギャラリーペトロナス、クアラルンプール、マレーシア、Oral presentation and exhibition at “Beyond Crafts Symposium” at Gallery PETRONAS in Kuala Lumpur, Malaysia

2017, 口頭発表 Oral presentation”5 Indigo Plants and Producing Dyes and Vats” at “International Festival of Plants, Ecology and Colours” in Madagascar, Africa

2020, 招請講演「日本の含藍植物、藍染料、藍発酵建法」フランス国立美術史研究所、パリ Invitation Lecture “Couleurs du vivant,  L’indigo au Japon et le Savoir-faire des Cuves à Fermentation” at Institut national d’histoire de l’art, Paris, France, on 26, Feb, 2020.

2020, 作品制作映像と作品出展、発酵による2種類の藍建液とタデアイを使った沈澱藍と顔料作りワークショップ,「2020北方のいろ共同制作ワークショップと国際天然の色展」in 札幌

2020, exhibited work production videos and art works on the official YouTube page and the Glass Pyramid “HIDAMARI” in Moerenuma-park, Sapporo City at the “2020 Northern Color Joint Production Workshop and International Natural Color Exhibition”.

2024(2009~), 天然染料講座、北海道医療大学市民講座(染料:日本茜、紫根、槐、藍、大黄他)Natural Dyes Course, Public Lectures by Health Sciences University of Hokkaido (Akane, Lithospermum root, Sophora japonica flower, Indigo, Rhubarb, etc.)

実践・研究報告、投稿 Research Report, Contribution

共著, a joint work:

2023, “Effect of Fermentation Scale on Microbiota Dynamics and Metabolic Functions for Indigo Reduction”

Nowshin Farjana, Hiromitsu Furukawa, Hisako Sumi, and Isao Yumoto* ,

International Journal o f Molecular Sciences, Int. J. Mol. Sci. 2023, 24(19), 14696;

https://doi.org/10.3390/ijms241914696

2023, “Woaded Blue: A Colorful Approach to the Dialectic between Written Historical Sources, Experimental Archaeology, Chromatographic Analyses, and Biochemical Research”

Dominique Cardon 1,*, Zvi C. Koren 2, Hisako Sumi 3

Heritage 2023, 6(1), 681-704; https://doi.org/10.3390/heritage6010037

2022, “Indigofera tinctoria L. leaf powder promotes initiation of indigo reduction by inducing of rapid transition of the microbial community”

Helena Lopes, Zhihao Tu, Hisako Sumi, Isao Yumoto

Frontiers in Microbiology, section Extreme Microbiology (09 August 2022),

https://doi.org/10.3389/fmicb.2022.957809

2022, “HPLC analyses of indigoids and related compounds in selected indigo-producing plants.”

Zvi Koren , Dominique Cardon , Hisako Sumi , David Santandreu , Aboubacar Fofana , Charllotte Kwon , Tim Mcloughlin , Iris Brémaud,     ⟨hal-03831317⟩

31st International Horticultural Conference – ICH 2022 “Horticulture for a world in transition”, Symposium S22 “Natural colorants from plants”, 14-20 August 2022, Angers, France.

2021, “Indigofera tinctoria leaf powder as a promising additive to improve indigo fermentation prepared with sukumo (composted Polygonum tinctorium leaves)”

Helena de Fátima Silva Lopes1,2 · Zhihao Tu1 · Hisako Sumi3 · Hiromitsu Furukawa4 · Isao Yumoto1,2

World Journal of Microbiology and Biotechnology (2021) 37:179 https://doi.org/10.1007/s11274-021-03142-y

Received: 19 April 2021 / Accepted: 9 August 2021
© The Author(s), under exclusive licence to Springer Nature B.V. 2021

2021, “Analysis of bacterial flora of indigo fermentation fluids utilizing composted indigo leaves (sukumo) and indigo extracted from plants (Ryukyu-ai and Indian indigo)”

Helena de Fátima Silva Lopes,1,2 Zhihao Tu,1,2 Hisako Sumi,3 and Isao Yumoto1,2,*

  1389-1723/$ e see front matter ! 2021, The Society for Biotechnology, Japan. All rights reserved. https://doi.org/10.1016/j.jbiosc.2021.05.004

Journal of Bioscience and Bioengineering VOL. 132 No. 3, 279e286, 2021

2018, Poster session, joint research “In antoine Janot’s blue steps”,  Dominique CARDON*, Hisako SUMI, David Santandreu, Aboubakar Fofana, Charllotte Kwon & Tim McLAughlin, Iris Bremaud,   “The 37th Dyes in History & Archaeology ” , UNIVERSIDADE NOVA DE LISBOA-CAPARICA, Portugal, ⟨hal-01979450⟩https://eventos.fct.unl.pt/dha37/files/dha37_book_of_abstract_sitedha_0.pdf   p37-38

2016, インドアイ(マメ科)からの固体藍染料の微生物
Microbes in solid indigo dyes made from Indigofera sp.
○常盤豊1、角寿子2、世嘉良宏斗3(1グリーン・プロダクツ・ラボ、2北の藍染織工房、3沖縄県工技セ)

○Yutaka TOKIWA1, Hisako SUMI2, Hiroto YOKARYO3 (1Green Products Laboratory Ltd., 2North-Indigo Textile Art Studio, 3Okinawa Industrial Technology Center)

以上、2016年生物工学会

2016, 天然の藍染料を用いた藍染め液の微生物
Microbes in indigo dyeing solution using natural indigo dyes
常盤 豊 1、角 寿子 2、ノームホルム アタポン 3、世嘉良 宏斗 4

(1 グリーン・プロダクツ・ラボ、2 北の藍染織工房、3 アジア工科大学院、4 沖縄県工業技術センター)
○Yutaka TOKIWA1, Hisako SUMI2, Athapol NOOMHORM3, Hiroto YOKARYO4 (1Green Products Laboratory Ltd., 2North-Indigo Textile Art Studio, 3Asian Institute Technology, 4Okinawa Industrial Technology Center)

以上、2016年農芸化学会

単著, a single work:

2004年「蓼藍を使った沈澱藍作りと発酵染、そしてすくも作りまで」

2004, “Producing indigo paste with Polygonum tinctorium and dye with fermentation, and production of SUKUMO”

2010年「蓼藍、日本茜、ムラサキの栽培とその染色」

2010, “Cultivation and dyeing of Polygonum tinctoriaum, Rubia Akane,  Lithospermum erythrorhizon” 

2013年「堅牢な藍染にするための材料の選択とpH・温度・養分の調整1 すくも藍」

2013, “Choices of materials for increasing fastness, conditioning of pH, temperature and nutrient elements——-1 SUKUMO”

2014年「堅牢な藍染にするための材料の選択とpH・温度・養分の調整2 琉球藍」

2014, “Choices of materials for increasing fastness, conditioning of pH, temperature and nutrient elements——-2 Ryukyu-Ai”

2015年「地域で異なるインド藍製造と藍建の比較」

2015, “The different of production of indigo paste and making vats by regional varieties”

2016年「日本の5種類の藍植物による染料作りとその藍建」

2016年「ウォードの藍建てとインド藍との割建」

2016, “Producing indigo dyes and making vats with 5 kinds of indigo plants in Japan”

2016, “Fermenting woad-indigo vat”

2017年「藍発酵建に添加する養分・管理温度とpHについて」

2017, “Nutrient element which is added to fermenting indigo vat, temperature and pH for growing vats”

2018年「4種類の藍発酵建による羊毛染1」

2018, “Wool dyeing with 4 kinds of fermenting vats—-1”

2023年「5種類の藍染料発酵建による羊毛染 2」 

2023, “Wool Dyeing with Fermented vats using five types of Indigo dyes -2”

以上、天然の色ー天然染料顔料会議報告

“Color from Nature”- Annual Report of Natural Dyes and Pigments Conference

2021年「天然染色ノート2021」第1回アカネ科、第2回ムラサキ科、第3回黄色染料植物、第4回茶色、灰色染料植物、第5回発酵染、発行:NPO法人アースネットワーク

2021, “Natural Dyeing Note 2021”, 1st-Rubiaceae, 2nd-Boraginaceae, 3rd-Yellow Dye-plants, 4th-Brown & Grey Dye-plants, 5th-Fermented Dyeing,Indigo & others, published by NPO Earth Network

2022, 天然染色ノート2021 Amazon Kindle版発行、8月「発酵染」(日本語版)、「ムラサキ科紫根」(日本語版)  

「ムラサキ科 紫根」英語版22ページ+染色試料集1P         Amazon.com  Kindle 発行

2022, “Natural Dyeing Note 2021”, “Fermented Dyeing,Indigo & others”,  “Boraginaceae-Purple roots” Japanese edition published from Kindle

Natural Dyeing Note “Boraginaceae-Purple root” English edition, 22 pages and the dyed clothes samples sheet(1page),  published from Amazon, Kindle

2024, 解説「天然藍染織工房における発酵液中のインジゴと微生物, 繊維の係」, 色材協会誌 第97巻 第9号 色材と界面制御ー小特集 天然色素・バイオ由来色素ー, “Relationship between Indigo, Microorganisms, and Fibers in the Fermentation Liquid at a Natural Indigo Dyeing and Weaving Workshop”, https://doi.org/10.4011/shikizai.97.281

Journal of the Japan Society of Colour Material, J. Jpn. Soc. Colour Mater., 97[9], 281-285 (2024)

ワークショップ Workshop

1986~2024, 藍建ワークショップ開催(国内外、オンライン)held the workshop for making and growing indigo vat (home and abroad and on-line)

助成、受賞 Grants and prize

1989, 北海道「北の生活文化振興事業」による海外研修補助(欧州), received the grant from Hokkaido government for overseas training tour in Europe

1998, 北海道科学産業振興財団一般道民研究賞受賞「発酵作用と鉱泉媒染による自然に還せる植物染の研究」”Study of plant dyeing returned nature using fermentation and mordant with mineral spring”, Hokkaido Foundation for the Promotion of Scientific and Industrial Technology

2011, 国際交流基金、企画「日本の天然染料と家蚕絹を使った紬着物の展示と技法解説とデモンストレーション」”Displays, commentaries on techniques and demonstration for TSUMUGI-KIMONO with Japanese natural dyes and domesticated silkworm was adopted by Japan Foundation

Mail to : hisako.sumi @ gmail.com   (文字間を詰めてご使用下さい)